Submissions from 2024
Digital Overload, Coping Mechanisms, and Student Engagement: An Empirical Investigation Based on the S-O-R Framework, Wondwesen Tafesse, Mary Precy Aguilar, Sabaa Sayed, and Urwa Tariq
Submissions from 2023
Bhoruka Fabcons: Entrepreneurial Innovation Within Family Business in India, Raihan Taqui Syed, Urwa Muhammad Tariq, and Gayatri Nair
Sustainable Strategies for the Fruit Beverage Industry in the UAE: A Case Study of Barakat Group of Companies, Urwa Muhammad Tariq and Gayatri Nair
The UAE animation industry: Current perceptions, challenges and future directions, Urwa Muhammad Tariq and Sarah Nesti Willard
Submissions from 2022
Digital Dissemination of Islam Among Dubai Expatriates, UAE: A Mixed Methods Study, Urwa Mohammed Tariq
Faith News through Radio and Digital Media: An Exploratory Study of Expats Seeking Islamic Information in Dubai, UAE, Urwa Mohammed Tariq
Submissions from 2021
Japanese Anime Fandoms in the UAE: An Exploratory Study on Media Accessibility, Habits and Cultural Perceptions, Urwa Mohammed Tariq and Sarah Laura Nesti Willard
Submissions from 2019
Liberating Bicycles in Niki Caro’s Whale Rider and in Haifaa Al Mansour’s Wadjda, Doris Hambuch
Submissions from 2018
Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri, Doris Hambuch
Submissions from 2016
The Pleasures of Polyglossia in Emirati Cinema: Focus on ‘From A to B’ and ‘Abdullah’, Doris Hambuch